Tim Bowers is a children’s book illustrator. His first picture book was published in 1986. Since then, he has illustrated over 45 other titles. A couple of the titles have landed on the New York Times best seller list. His art is usually filled with animals and humor…and people, when needed. Tim currently lives in Granville, Ohio with his beautiful wife. They have four talented grown children and are proud grandparents.
For what age audience do you illustrate?
I illustrate for all ages, but mostly for children. I hear from many parents who have enjoyed my books as much as their kids. That’s especially true for my title, MEMOIRS OF A GOLDFISH by Devin Scillian. A very funny story.
Henry: Sounds like quite a fish tale…
Tell us about your latest book.
My latest book is FOOTLOOSE by Kenny Loggins. Kenny re-wrote his 80’s hit song, Footloose, into a kid’s version, which includes a zoo keeper (who, I’m told, looks a lot like Captain Kangaroo), dancing animals and a couple of curious kids.
What do you hope readers will get from that book?
When your life is a total zoo…DANCE!
Seriously, it’s a fun story about two kids who sneak into the zoo just before closing. The zoo keeper and animals have a great dance party under a full moon. The party continues until sunrise. Kids can read the story, follow the illustrations and listen to the song (a CD is included in the book). So, I hope kids will put on their dancin’ shoes and have fun!
Henry: Fun! And now you’re only one degree away from Kevin Bacon.
“Now I gotta cut loose
Footloose, kick off the Sunday shoes
Please, Louise, pull me off of my knees
Jack, get back, come on before we crack
Lose your blues, everybody cut footloose”
What aspect of illustrating do you find most challenging?
A children’s book is a long project: from character development, sketches and book dummy to the final art. It takes focus and endurance to keep the process moving forward. There are times during the painting of the final art that seem to move at a snail’s pace. My mind seems to wander during those times. I’ll think of new book projects, other art techniques to explore, people I’d like to meet, a good name for a pet elephant, how would I even get a pet elephant?, would I rather have an elephant or a monkey?… and guitars, wish I could practice more, wish I could buy another guitar.
Then, I snap out of it and get back to the final artwork. Come to think of it, I’ve had this problem since childhood. Focus, focus, focus.
Henry: Would You Rather Have a Monkey or an Elephant sounds like a great picture book idea. Thanks!
What is a powerful lesson you’ve learned from being an illustrator?
Art is a powerful tool used to tell a story, deliver a message or share an idea. I want to use my talent to help deliver positive messages and good ideas and stories to viewers and readers. That’s why I like to illustrate children’s books.
What has been a memorable experience that you never would have had if you had not been an illustrator?
There are a lot of them. I’ve been to hundreds of elementary schools to share my experiences and talk to students about making art for picture books. I love talking to kids and sharing my art with them. I wouldn’t have had that type of a connection without being an illustrator.
I’ve also worked with some celebrities because of my illustrations. I illustrated DREAM BIG, LITTLE PIG! by Kristi Yamaguchi. Without the illustration connection, I probably would not have worked with Kristi because I’m a lousy skater. I’ve also illustrated books by Neil Sedaka (DINOSAUR PET) and Kenny Loggins (FOOTLOOSE). I’m not in their social circles, and I need a lot more practice on my guitar so being an illustrator got me those “gigs”.
I guess the “powerful lesson” would be that being an illustrator has allowed me to connect with people through stories, from children learning to read to well-known people with stories to share.
Henry: I’d pay good money to watch you play guitar while ice skating. Triple axle!
What advice would you give to aspiring children’s book illustrators?
Surround yourself with books. Study the great picture book art of the past, explore current art trends, and use the best of both to create your own personal voice.
Work on your craft. Draw. Learn the elements of visual story telling/sequential art. Draw more. Strive to create art that connects emotionally to the reader. In most books, the words and art must unify to tell a clear story. Practice working with text, using your art to compliment the written word. Then, draw some more.
Much can be learned by connecting with groups like The Society of Children’s Book Writers and Illustrators (SCBWI.org).
So, three things that I would suggest: One- work to improve your art skills, Two- learn about the business/process of creating children’s books, and Three- make connections (network) with people in the biz: editors, authors, designers and others who are pursuing your same goals.
Henry: Four – get an elephant. Or a monkey.
Do you have any favorite quotes?
I have a huge file of quotes. Here are a few of my favorites for today:
“Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.”
– Groucho Marx
“Don’t play what’s there, play what’s not there.”
– Miles Davis
“I get up every morning determined both to change the world and to have one hell of a good time. This makes planning the day difficult.”
– E.B. White
“Don’t worry about the world coming to an end today. It is already tomorrow in Australia.”
– Charles M. Schulz
“Every dog has his day, unless he loses his tail, then he has a weak-end.”
– June Carter Cash
“What counts is not necessarily the size of the dog in the fight; it’s the size of the fight in the dog.”
– Dwight D. Eisenhower
Do you have any strange rituals that you observe when you work?
Hmmm, let’s see. I usually listen to music, have a cup of coffee by my side and try to keep focused on the task at hand (see earlier answer about staying focused). I find it extremely hard to work if my paintbrush isn’t just right for the job…if it’s lost the sharp point, too big, too stiff. The wrong brush can drive me crazy. Brushes wear out after a while, so I have a container filled with hundreds of those retired brushes. I often work better at night. Between 11pm and 3am seems to be an easier time to focus. I can’t think of anything else that might apply…Hey, did I tell you that my Grandpa had a monkey? Would you rather have a monkey or an elephant? Oh, sorry… where were we?
Henry: Life’s too short to use the wrong brush.
If you could have one superpower, what would it be?
The power to heal at will. I could eliminate the pain of people suffering from abuse, burns, cancer and accidents… as a starter. It breaks my heart to see kids who suffer in life. Having wings would also be cool but then what? You fly around. That would be nice but I think that healing would be my superpower. But, having two powers, flying around AND healing, would be even better. I’d like to negotiate for two superpowers, if that’s ok.
Henry: Ah, the old “wish for more wishes” ploy. Healing is a lovely wish.
If you could have three authors over for dinner, who would it be?
The Apostle Paul…because he was there.
Kate DiCamillo…because her work is full of heart and humor. One of my very favorite story tellers.
Cynthia Rylant… because her work is full of heart and humor. Another one of my very favorite story tellers.
There are so many amazingly talented authors (I’ve worked with a lot of them), so I’d have to have a few more dinners.
Henry: Trying to break the rules again? I sense a trend. 🙂
What is your favorite creature that exists only in literature?
I’d have to go with dragons. I’ve illustrated a great dragon book, NOT YOUR TYPICAL DRAGON by Dan Bar-El. Mermaids would come in a close second place…who doesn’t like mermaids? I’ve illustrated one book with a mermaid, Sometimes I wonder if POODLES LIKE NOODLES by Laura Numeroff. I created some “Mer-mutts” (dog mermaids) in THE ADVENTURES OF UNDERWATER DOG by Jan Wahl, but that probably doesn’t count.
Henry: The blog judges rule that Mer-mutts is an acceptable response.
What do you like to do when you’re not working?
I play the guitar. I do more listening to great players than playing but I’m always thinking about guitars. I also have a beautiful ukulele and mandolin (my grandpa, who had a monkey, was also a mandolin player). They get less playing time than my guitars. I also like to fish. I only had time to fish a couple of times, this summer. That’s why I didn’t have you over for a big fish fry, Henry. I really like to golf, but I’ve only done that several times. My kids bought me a new set of clubs for father’s day, so I need to golf more often.
This question is leading me to believe that maybe I work too much. I have a lot of interests but don’t seem to have much time outside of my work schedule. I think I need more balance in that area. Thanks for bringing it up, Henry.
Henry: You’re welcome, Tim. You should definitely have more fish fries. I’ll even bring the fish!
What would you like it to say on your tombstone?
I’m not sure but here’s another quote that might apply:
“The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.”
-Ralph Waldo Emerson
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms…”
– Henry David Thoreau
Where can readers find your work?
In children’s books at your local library or bookstore. On line, you can visit my website: http://www.timbowers.com/ and my blog: timbowersart.blogspot.com.
Henry: Thanks for joining us, Tim!