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CAP’N REX & HIS CLEVER CREW original art giveaway!

WIN AN ORIGINAL DINOSAUR PAINTING!

Enter for a free chance to win an original signed painting by Benjamin Schipper, illustrator of the picture book, CAP’N REX & HIS CLEVER CREW, by Sterling Publishing. The painting of Kyle the Ankylosaurus pirate is roughly 8.5″ square, and was created with Holbien Acryla gouache and Prismacolor pencils on Arches Cold-pressed illustration board. It’s suitable for framing and mounting in any dinosaur pirate-loving kid’s room.

HOW TO ENTER

The winner will be chosen at random from all qualifying entries received by August 31, 2017. To submit an entry:

1. Take a photo of your child holding a copy of CAP’N REX & HIS CLEVER CREW. The cuter, the better!

2a. Tweet the photo with the caption: @HenryLHerz My kid loves CAP’N REX & HIS CLEVER CREW!

or

2b. Post the photo on Facebook with the caption: @Henry.Herz My kid loves CAP’N REX & HIS CLEVER CREW!

Your entry grants Henry Herz the right to republish the photo on Twitter, Facebook, and this website. The winner will be announced on this web page and social media within one week of the deadline. The winner will asked for a postal address to which the painting will be mailed. ONLY U.S. ADDRESSES, PLEASE. Henry Herz is not responsible for damage that occurs during postal delivery.

ABOUT THE BOOK

Captain Rex and his dinosaur pirates sail the seven seas in search of buried treasure. But whenever they hit an obstacle—like a giant shark or pea-soup fog—the crew members are quick to say they can’t overcome. To this, Captain Rex always glares with teeth bared and says, “CAN’T YE?” And, somehow, the crew always comes up with a clever solution. This delightful story highlights the value of one’s creativity and determination in tough situations. It will encourage kids everywhere to think and say, “I can!”

  • “Is there room for one more piratical dinosaur tale on the seven seas? There be! As Capt. Rex and his dinosaur pirates three search for buried treasure, they are beset by toothy megalodons, thick fog, and volcanoes. However, each time his crew declares they cannot do something, the captain glares with teeth bared and murmurs, “Can’t ye?” That kind of motivation can’t be denied, and the dinos go out of their way to think of clever solutions to their seemingly insurmountable obstacles. At last the treasure is uncovered, but when the captain fails to share, it takes a carefully placed “CAN’T YE?” from his crew to convince him of what’s right. With his emphasis on invention over brute force, Herz eloquently models positive attitudes for young readers. Less chompy than the text, Schipper’s art repeatedly softens the storyline. For example, rather than glare with teeth bared as the text suggests, the illustrations portray Rex smiling knowledgeably as his crew puzzles through their problems. The dinosaurs may be extinct but let’s hope dinosaur pirates keep on sailing for arr-ternity.”
    Kirkus Reviews
  • “Arrr, if ye be lookin’ for a rollicking read about pirate treasure and persistence, REX marks the spot.”
    Molly Idle, Caldecott Honoree author/illustrator of TEA REX
  • “A darling book about problem solving and utilizing arrr! gifts. And the gorgeous illustrations are a treasure. Pure gold!”
    Sherri Duskey Rinker, NY Times bestselling author of MIGHTY, MIGHTY CONSTRUCTION SITE
  • “This story will certainly thrill the pirate in your house. Through humor and ingenuity we learn that anything is possible!”
    Barney Saltzberg, NY Times bestselling author/illustrator of BEAUTIFUL OOPS!
  • Gorgeous illustrations paired with a satisfying story. CAP’N REX is tons and tons of dino fun!
    Fred Koehler, author/illustrator of SUPER JUMBO
  • “Pirates, dinosaurs, a voyage to a volcano? Well, shiver me timbers! There be surprise and rollicking adventure within these gorgeous pages. CAP’N REX gives readers a taste of pirate etiquette in this see-worthy treasure.”
    Pat Cummings, Coretta Scott King Award winning author/illustrator of MY MAMA NEEDS ME
  • “Cap’n Rex and his jaunty crew take us on a jolly journey, fraught with perilous adventures. Sticking together and using their wits to overcome obstacles at every treacherous turn, these dino heroes are destined to rake in their fabulous bounty. Gorgeous textures and sumptuous-shaped illustrations help make this book a delight for any young pirate.”
    Joe Cepeda, Pura Belpre Honoree author/illustrator of I, FREDDY
  • “A clever yarn about overcoming obstacles that will have little buccaneers chanting “Can’t ye!” even after the last page has been turned.”
    Corey Rosen Schwartz, author of NINJA RED RIDING HOOD
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Interview with author/illustrator Vanessa Brantley Newton

Vanessa Brantley Newton was born during the Civil Rights movement, and attended school in Newark, NJ. Being part of a diverse, tight-knit community during such turbulent times, Vanessa learned the importance of acceptance and empowerment in shaping a young person’s life. When she read SNOWY DAY by Ezra Jack Keats, it was the first time she saw herself in a children’s book. It was a defining moment in her life, and has made her into the artist she is today. As an illustrator, she includes children of all ethnic backgrounds in her stories and artwork. She wants all children to see their unique experiences reflected in the books they read, so they can feel the same sense of empowerment and recognition she experienced as a young reader.

For what age audience do you write?

I create for ages 3-8 for picture books and then 8-12 for middle grade.

Tell us about your latest book.

My latest book is happily called, GRANDMA’S PURSE, written and illustrated by me. It’s been a while. The book is with Random House Publishing and due out in Jan 2018. All about a little girl who finds goodies in her grandmothers purse.

Henry: Grandmas are also known for hiding tissues in their sleeves.

What do you hope readers will get from reading that book?

Simply the love and relationship of grandchild and grandparent, and that we can find out a lot about a person from what they carry with them.

Henry: So true!

What aspect of illustrating and writing do you find most challenging?

It’s always been the sketching for me. Layout out a book is so very frustrating to me. Each time feels like the first, and I approach each book like it’s the first one. Yeah I know I’ve done it a couple of times, LOL!! I really don’t know why, but it’s a little difficult to wrap my head around it. I think that I over-think it too much, and the need to please OTHERS can really rattle me a bit.

As far as writing is concerned, I am dyslexic and it makes it really difficult to come to an empty page and fill it with words. I don’t spell very well and my vocab is very simple, if you will. Not a really deep one, LOL! I have my own way of expressing myself, and as a dyslexic person I have to do it in a way that makes sense to me first. I love to write poems and sing. Music helps me to tell my stories. I also learn through rhyme. Once I get something, it sticks and I am able to use it however I need. This is how most children with dyslexia learn. I really don’t consider myself a writer, but more of a storyteller.

Henry: And a hugger!

What is a powerful lesson you’ve learned from being a writer?

That we have to power to tell children stories that can uplift, scare, inspire, provoke empathy, cause them to see their beautiful selves, and to be creative — and that is a pretty power, but even more powerful, NEVER EVER LET ANYONE SPEAK FOR YOU!

What has been a memorable experience that you never would have had if you had not been a writer?

Just recently, a book that was pulled by Scholastic called, A BIRTHDAY CAKE FOR GEORGE WASHINGTON. Honestly, one of the most painful experiences of my career in children’s books. No one ever wants to be censored or have their book pulled, but this is what happened, and while it was painful, there was so much that I learned from the experience. I found my own voice and my own stories. We often like to give our characters adversity, but we will have none of it in our own very real lives. The fact is, we love adversity and hard times and frustrations put on to our characters. It’s the stuff that good books are made of. But in order to give your character that kind of magic that makes your readers care and feel about the character, you have to sometimes experience your own trials and tribulations as well. How did you come through the very hard stuff? The whole debacle made me turn in and go really deep. While very painful, much like baring a child. Nobody likes the labor pains, but holding the child makes it worth the while, and that is what this book did for me. I doubt that people would have even heard of Vanessa Brantley-Newton if this didn’t take place. Truly what doesn’t kill us makes us stronger for the journey ahead. It’s time to get busy telling children of color and children period, a different type of story. Stories that give them life.

Henry: You persisted!

What advice would you offer aspiring authors and illustrators?

Hone your talent. Really be willing to stretch yourself and put yourself in a real teachable environment. Learn all that you can from watching other illustrators and reading other authors works – people that have made it. What do you love about their creative flow? Compile that information in a notebook or sketch book. Try adding it to your work. I never had the chance to meet Erza Jack Keats, but I was student of his wonderful work. I put it in front of me and tried to copy as much as I could without copying LOL! I studied his line and how he laid out his books. Still studying him today along with Mary Blair and Fiep Westendorp and a host of others. DO YOU! You bring something special to the creative table that nobody else brings! Stop comparing your beautiful self to other people! They can’t do what you do, and you can’t do what they do. We are looking to see what you are going to share with the world.

Do you have any favorite quotes?

“Thoughts become things, so get busy thinking right thoughts and watch what happens.”

Henry: Nice. I like the related: “Whether you think you can or you think you can’t, you’re right.”

Do you have any strange rituals that you observe when you work?

I don’t know if this is a really strange ritual, but seriously music and comedy in my office and lots of dancing heightens the frequency and creative flow. Every single day. Live, Love, Laugh!

If you could have one superpower, what would it be?

Oh this is one of my favorite questions ever!!!!! Okay I would like the power of Manifestation. The ability to make it so! To think about something and see it manifest before my eyes.

Henry: I’m gonna’ manifest myself some pizza and beer right now.

If you could have three authors over for dinner, who would it be?

Langston Hughes because he makes me feel. Maya Angelo because she allows me to see me. Ezra Jack Keats because he’d cause me to do both.

Henry: But, I come in a close fourth, right? 🙂

What is your favorite creature that exists only in literature?

Venus because she was love and beauty.

Henry: Congratulations. You are the first author to answer that question with a goddess.

What do you like to do when you’re not working?

Sing Jazz and cook and laugh, laugh, laugh!

What would you like it to say on your tombstone?

Here lies a woman who loved God and loved people and they all felt it.

Henry: Anyone who meets you feels it! 🙂

Where can readers find out more about you and your work?

Vanessabrantleynewton.com

Henry: Thanks for spending time with us. I had the pleasure of meeting Vanessa. She’s a hugger!


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Interview with NY Times bestselling picture book author Jean Reagan

Jean Reagan is an award-winning picture book author from Salt Lake City, Utah.  Her “HOW TO” series which started with HOW TO BABYSIT A GRANDPA and HOW TO BABYSIT A GRANDMA (illustrated by Lee Wildish), regularly makes the NYT Bestseller and the Indie Bestseller lists.

Jean’s first book, ALWAYS MY BROTHER (illustrated by Phyllis Pollema-Cahill), a story about sibling loss, was a finalist for the Colorado Book Award.

Each summer she and her husband serve as wilderness volunteer rangers in Grand Teton National Park, living without electricity or running water. If you ever visit the Tetons, stop by her cabin for a cup of tea!

Henry: but apparently you must bring your own water…

For what age audience do you write?

I write picture books for ages 2 to 8. Many picture book authors aspire to write for older kids or to illustrate their own books. Not me! I absolutely lack those talents.

Henry: I can barely draw stick figures. As I’m still honing my writing, the thought of climbing the learning curve on illustrating is just too daunting for me. As Dirty Harry says, “A man’s got to know his limitations.”

Tell us about your latest book.

In HOW TO RAISE A MOM, two siblings share tips and tricks on raising a happy, healthy mom. The tongue-and-cheek role reversal offers a humorous take on daily routines.

HOW TO GET A TEACHER READY is out in early July. In the same instructional style, a class of students takes the readers through a fun and busy school year.

What do you hope readers will get from reading that book?

Lots of giggles. Also—especially in this digital age where everyone is plugged in—I hope to create opportunities for real connections between kids and their adults. So, between all the wild and crazy fun, I sprinkle tender moments.

Our son passed away eleven years ago, and I make a point of including a little bit of him in everything I write. Tapping his tenderness helps keep my silliness grounded.

Henry: So sorry for your loss. It’s wonderful that he gets to be in your writing.

What aspect of writing do you find most challenging?

I love brainstorming. I love revising. Everything between is challenging. And sadly, critique buddies and editors are primarily helpful with brainstorming and revising. I struggle alone with the remaining 95%. In fact, with each book I hit a stage where I yell, “It’s hopeless! Impossible!” I call this my I-might-as-well-do-dishes-because-at-least-I-know-how-to-do-dishes phase.

Henry: Um, isn’t WRITING what’s between brainstorming and revising? 🙂 Still, the dishes ain’t gonna’ wash themselves.

What has been a memorable experience that you never would have had if you had not been a writer?

Questions and comments from kids blow me away.

At one book launch, the first question was, “Have you ever ridden an elephant?” Of course, my book had NOTHING to do with elephants, but I loved it! There’s no other profession where after a presentation you’re asked cool questions like that.

Or another time at a school I brainstormed with kids for ideas for my MOM book. When I solicited suggestions to cheer up a tired or sick mom, a second-grader who had a full-time aide blurted out, “I’d tell her how amazing the world is!” Wow!

Henry: I HAVE ridden an elephant, but I’ve never been asked that question, darnit!

What advice would you give to aspiring authors?

I’ll skip the practical advice like: join SCBWI, start a critique group, enter writing contests, submit to magazines, and Read! Read! Read!

My advice?

Channel your inner worrywart. What weaknesses do you hide from others? What vulnerabilities did you feel as a kid? What fears did you have? Your answers will lead to stories that foster courage, gentleness, and kindness. Add a dose of humor to keep things light. If you’ve never been a worrywart, I have no advice. Sorry.

Give yourself a time limit. After I’d received 200 rejections and I was ready to quit, my husband suggested, “Give it two more years.” This “deadline” motivated me in two ways: 1. “Yay! I don’t have to keep chasing this crazy dream forever! I only have to endure the pain for two years!” And, 2. “Whoa! I only have two years. I better crank up my efforts and grab every opportunity!” P.S. I sold my first manuscript before the deadline. Phew.

Henry: Indeed, writing is not for the indefatigable nor the thin-skinned.

Do you have any favorite quotes?

When I felt deeply discouraged as I opened three rejection letters, all addressed to “Dear Author,” my son said to me, “But, Mom. They’re calling you author.” This quote kept me motivated, especially after he died.

Henry: You’re my first interviewee to quote their child. Way to find the silver lining!

Do you have any strange rituals that you observe when you work?

I stay in my pajamas because it keeps me working instead of running errands or playing in my garden.

Another ritual is I read CALVIN AND HOBBES when my enthusiasm for a project wanes. I totally count that as work time.

Henry: I’d also treat your CALVIN AND HOBBES purchases as tax deductible research.

What do you like to do when you’re not working?

My summer gig keeps me hiking and canoeing every day for three months. I rarely write at all during that time. The rest of the year I try to squeeze in hikes when I can.

Henry: It’s a rare author who can write and canoe simultaneously. Plus the laptop gets soaked.

Where can readers find your work?

My books are available wherever books are sold. Personally I support Indie bookstores!

If you’d like to learn more about me, my books, or my summer job as a volunteer park ranger, visit http://www.jeanreagan.com. I’m on Facebook and Twitter, as JeanReaganBooks. Or stop by the Leigh Lake patrol cabin in Grand Teton National Park. (BTW, I’m not on Wikipedia, but our cabin is!)

Henry: I had the pleasure of meeting Jean at the 2017 Los Angeles Times Festival of Books. Thank you for spending time with us Jean.


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Fun Times at LA Times Festival of Books 2017

I attended the Los Angeles Times Festival of Books. Here are photos from that event.

Always a good way to start an event…

I got to meet Karen Lechelt, debut picture book author/illustrator of WHAT DO YOU LOVE ABOUT YOU? Bonus fact: she has a French Bulldog, so you know she’s cool.

John Rocco introduced me to graphic novelist and picture book illustrator Matt Phelan.

Then John hopped up on stage and worked his magic.

I wandered around the booths, and found the dynamic duo of Jon Klassen and Mac Barnett signing books.

In the audience of the Children’s Stage, I bumped into friend Salina Yoon, author/illustrator of PENGUIN AND PINECONE, and met Jean Reagan, author of HOW TO BABYSIT A GRANDPA.

On stage, we were regaled by a duck hat-wearing David Shannon, author/illustrator of NO, DAVID!

Lee Wind moderated a graphic novel panel with Faith Erin Hicks, Matt Phelan, and Cecil Castellucci.

I wandered some more, and found James Burks, author/illustrator of BIRD & SQUIRREL, Amy Sarig King, author of ME AND MARVIN GARDENS, and Jarrett Krosoczka, author/illustrator of LUNCH LADY at the Once Upon a Storytime booth.

Author/illustrator Jon Klassen and author Mac Barnett read their picture books EXTRA YARN and TRIANGLE to us. Best part: a kid in the audience said “I have THE DAY THE CRAYONS QUIT”, leading Mac to talk about how Drew Daywalt planted the kid in the audience to promote book sales.

Here is the exuberant Megan McDonald, author of the JUDY MOODY series.

This is a life-sized Olivia.

Lastly, we were entertained by the lively Adam Rubin, author of DRAGONS LOVE TACOS, ably assisted by a dragon.


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Interview with children’s book author/illustrator Daniel Kirk

Daniel Kirk has been writing and illustrating children’s books for over twenty-five years. In that time he’s published nearly fifty titles for Abrams Books, Hyperion, Scholastic, Putnam, and Simon and Schuster. His books include the best-selling LIBRARY MOUSE series. He lives in New Jersey, a short train ride from New York City.

For what age audience do you write?

For the most part I make picture books for young readers, and have made a few stabs into the realm of chapter books and young adult fantasy novels. But mostly I’m known for my picture books! My characters tend to be talking animals, though some of my more popular titles are about vehicles. Apparently people like the way I draw shiny metal things with wheels, but I prefer painting four-legged creatures.

Henry: As a picture book author myself, I’m amazed at people who can write picture books AND young adult novels. They are such different art forms.

Tell us about your latest book.

My new picture book is called RHINO IN THE HOUSE, and it is my first non-fiction title I’ve both written and illustrated. It tells the story of Anna Merz, an Englishwoman who moved to Kenya in 1976 to found a rhino sanctuary. She’d intended to retire there, but when she got to Kenya and saw how so many animals were threatened by hunting and poaching, she decided to do something about it. Anna had a fence built around thousands of acres of land, and arranged for rhinos in danger to be brought to her sanctuary. It wasn’t long before she discovered a baby rhino calf that had been abandoned by its mother. Anna named the calf Samia. My book is about the relationship between the woman and the rhino as she raised the calf to adulthood, and some of the challenges the two of them encountered along the way.

It’s a sweet story about Anna’s devotion to Samia, as well as a tribute to a woman who learned many things about rhinos that nobody had ever bothered to learn before.

What do you hope readers will get from reading that book?

These days there are many endangered animals on the brink of extinction, and I hope that by sharing the story of Anna and Samia, I can encourage kids to understand that when they grow up, they have the power make a difference too. I want to reinforce the fact that endangered animals matter, and that there’s still hope for making our world a better place. As part of my research for this book I went to Lewa Downs in Kenya to see where Anna and Samia had lived. I’d like children to understand how important travel is to understanding the world we live in. At the back of the book I’ve devoted some space to sharing pictures and sketches of other animals I got to see on the range in Africa.

What aspect of writing or illustrating do you find most challenging?

I love coming up with ideas and developing them into stories. The challenges are in keeping it all as simple as possible, and keeping it fresh for myself as well as the reader. It can take months, or even years, to come up with appropriate endings for stories, find the right voice for characters, and figuring out what you DON’T have to say to still get across your ideas. People are always surprised to hear that picture books are not written in about the time it takes to read them. They look so simple! But of course, making things appear simple, even when they’re complicated, is very important.

What is a powerful lesson you’ve learned from being an author/illustrator?

Patience! I’m continually reminded that my first ideas aren’t always my best, and that nothing gets accomplished without a lot of effort and attention to detail. My brain and my hands never seem to work fast enough, and everything takes longer than I’d like. Sometimes it feels like there isn’t enough time to accomplish all the things I want to do. But slow, baby steps are the only way to really get things done!

Henry: Exactly. Patience and persistence.

What has been a memorable experience that you never would have had if you had not been a writer?

Part of my mind is always tuned into finding inspiration in what happens around me. I hear and see things in the most common and ordinary situations that I wouldn’t have noticed if I weren’t making books. I guess you could call that “writer’s radar”. Certainly I’ve had lots of opportunity to travel and meet people as a writer that I wouldn’t have had if I had some other occupation, but in answer to your question, the biggest thing is the awareness that comes in every waking moment when you don’t just see the events of the day, but you see the way people and things are connected, and ordinary events teach us things about life. This is often how stories get their start!

What advice would you give to aspiring authors/illustrators?

Whatever you do with your writing, always do it foremost for the love of creating and sharing. Creativity has its own rewards, and those rewards are limitless.

Don’t box yourself in with too many self-imposed limits. Try writing in different styles and genres until you find your own voice and the things that you’re passionate about. Try not to look too much at other people’s work or you’ll be distracted from the quiet voices inside your own head. Don’t compare yourself and your successes or failures with other people. These are things that will throw you off balance and just make you feel insecure.

And remember that Rome wasn’t built in a day. Creativity is a journey—sort of like life in general!

Henry: And don’t quit your day job. Writing picture books is not a path to fame and fortune.

Do you have any favorite quotes?

I like a lot of zen snippets like “Chop wood, carry water”, and “first there is a mountain, then there is no mountain, then there is”. They combine the mundane with eternal verities in an appealing way. Here’s another–“The one who is good at shooting does not hit the center of the target”. I try to remember these when I find myself struggling too hard for perfection in my work!

Henry: “Perfect is the enemy of good enough.”

Do you have any strange rituals that you observe when you work?

When I was a little kid I did most of my arts and crafts stuff either in front of the TV or sitting at the kitchen table. I’d say about half of my creative time today is spent working at the kitchen table. There’s a lot of sunlight, and constant access to snacks. And my laptop functions as an entertainment unit, where I get music to work by, or a series on Netflix to listen to while I draw. I don’t know if that constitutes a ritual, or anything strange, but I’m not the kind of guy who likes putting on a suit and tie and sitting at a desk to get my work done. To me, that would be strange!

Henry: You had me at snacks.

If you could have one superpower, what would it be?

I’d be the guy who could slow down time. To everybody else I’d look like a hummingbird, but I’d really be getting things done. I guess there’s already a superhero like that, The Flash, so I’d be like him. Except without the red costume.

Henry: But, then you’d have to be even MORE patient!

If you could have three authors over for dinner, who would it be?

I’m kind of shy, so I don’t know about having them over for dinner. But I can imagine randomly bumping into some of my favorite deceased authors. The writer and artist James Flora was a big inspiration to me—even though our work is nothing alike. We both grew up in Ohio. So in my fantasy scenario I’m sitting next to him on a flight to Columbus, and I work up my courage to introduce myself as a fan. Then we discuss media and changing styles, among other things. Tove Jansson is one of my favorite author/illustrators, she created the Moomin books. I can imagine I bump into her on the ferry from Sweden to Finland and we might chat about the mischievous Little My. I love the Frog and Toad books, and actually, anything created by Arnold Lobel. I imagine I’m waiting for the subway train in Brooklyn, when I spot him on the platform. I’d have to ask him what he thinks Owl Tear tea would taste like!

Henry: I imagine Owl Tear tea tastes like disappointment.

What is your favorite creature that exists only in literature?

Mythological creatures tend to be dangerous, and danger isn’t really my thing…but I can’t help being curious about Sirens, as I’ve always tried to imagine the song they sing to lure sailors to their demise. Is it the melody? The lyrics? The singing voice? I’d love to hear a short, non-fatal sample to help me figure that one out.

Henry: It’s the sirens’ dance moves…

What do you like to do when you’re not working?

I love to write and illustrate books but my great passion is music. I’m in a couple of bands, singing and playing guitar, and I love harmonies and rhythm and playing with other like-minded people. Making books is good creative fun but tends to be solitary. When I write songs that’s solitary, too, but making music together is one of life’s greatest pleasures for me.

What would you like it to say on your tombstone?

When my time is up on this planet, I plan to have my ashes tossed into the wind over some lovely vista. No tombstone. The memories of my friends and loved ones will keep me going for a while, and if anybody finds my books in used book stores and likes what they see and read, that’s enough eternity for me.

Henry: Indeed, books are authors’ tombstones.

Where can readers find your work?

Well I certainly hope in new and used book stores, on Amazon and Ebay, and of course, in libraries. My website is danielkirk.com, and you can get a decent glimpse of what I do by checking me out online. I’ve also got a bunch of short videos that I just put up on Youtube for my new book, “Rhino in the House”!

Henry: Thanks for visiting with us, Daniel.