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Children's & Fantasy/Sci-Fi Books


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Fun Times at LA Times Festival of Books 2017

I attended the Los Angeles Times Festival of Books. Here are photos from that event.

Always a good way to start an event…

I got to meet Karen Lechelt, debut picture book author/illustrator of WHAT DO YOU LOVE ABOUT YOU? Bonus fact: she has a French Bulldog, so you know she’s cool.

John Rocco introduced me to graphic novelist and picture book illustrator Matt Phelan.

Then John hopped up on stage and worked his magic.

I wandered around the booths, and found the dynamic duo of Jon Klassen and Mac Barnett signing books.

In the audience of the Children’s Stage, I bumped into friend Salina Yoon, author/illustrator of PENGUIN AND PINECONE, and met Jean Reagan, author of HOW TO BABYSIT A GRANDPA.

On stage, we were regaled by a duck hat-wearing David Shannon, author/illustrator of NO, DAVID!

Lee Wind moderated a graphic novel panel with Faith Erin Hicks, Matt Phelan, and Cecil Castellucci.

I wandered some more, and found James Burks, author/illustrator of BIRD & SQUIRREL, Amy Sarig King, author of ME AND MARVIN GARDENS, and Jarrett Krosoczka, author/illustrator of LUNCH LADY at the Once Upon a Storytime booth.

Author/illustrator Jon Klassen and author Mac Barnett read their picture books EXTRA YARN and TRIANGLE to us. Best part: a kid in the audience said “I have THE DAY THE CRAYONS QUIT”, leading Mac to talk about how Drew Daywalt planted the kid in the audience to promote book sales.

Here is the exuberant Megan McDonald, author of the JUDY MOODY series.

This is a life-sized Olivia.

Lastly, we were entertained by the lively Adam Rubin, author of DRAGONS LOVE TACOS, ably assisted by a dragon.


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Good Times at WonderCon 2017

My sons and I had a great time attending WonderCon yesterday.


We had beautiful SoCal weather.


Comic conventions always boast entertaining food trucks.


A well-designed Gen. Grievous costume from Star Wars.


With author/illustrator Will Terry at his booth.


With NY Times bestseller and Caldecott honoree, John Rocco.


I moderated a rock star KidLit author/illustrator panel with Joe Cepeda, Stacia Deutsch, Eliza Wheeler, John Rocco and Marla Frazee.


Signing books after the panel, next to Caldecott honorees John Rocco and Marla Frazee (looking like the cat that ate the canary)


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My excellent adventure at the 2017 Charlotte Huck Children’s Literature Festival

I had a terrific time at the 2017 Charlotte Huck Children’s Literature Festival.

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I registered for the conference, and popped into the festival book store, run by Frugal Frigate. I look to my left, and there’s Caldecott Honoree and Pura Belpre Medalist, Yuyi Morales!

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Yuyi gave the keynote address on the first day. Her description of the work involved in creating her book Viva Frida was captivating.

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David Schwartz talked about helping kids wonder about what they read. Here he is unfurling a banner with one million stars on it.

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I listened to the delightful George Ella Lyon speak about poem and picture books.

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At the book signing, I got to meet Caldecott Medalist Brian Floca. I asked Yuyi Morales to take a photo, but she took a selfie by mistake.

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Here, Yuyi’s photography skills improved. Me with Brian Floca.

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The next day, I got to sit next to Brian for another book signing.

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The conference attendees got a surprise song via Skype from Emily Arrow.

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Then, Brian Floca presented about his writing/illustrating process.

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I moderated a panel, Research for Picture Books, with David Schwartz, Brian Floca, and Lois Harris.

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The conference wrapped up with a lovely presentation by Newbery Honoree Pam Munoz Ryan. Good times.


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Interview with graphic novel/picture book author/illustrator Ben Hatke

Ben Hatke is an author and artist of graphic novels and picture books. His notable works include the ZITA THE SPACEGIRL TRILOGY, the Eisner award-winning LITTLE ROBOT, and the picture book JULIA’S HOUSE FOR LOST CREATURES.

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For what age audience do you write, and in what genre?

My comics are mostly classed as “middle grade” but I really try to write for everybody. I also make picture books which are even more for everybody. As to genre, I tend toward fantasy and science fiction. I tend to add swords and robots and goblins to just about everything I touch.

Henry: You complete me. Fantasy makes everything better. And cowbells.

Tell us about your latest book.

MIGHTY JACK is a two-book, modern-day, graphic novel retelling of the Jack and the Beanstalk story.

Henry: Fun! I’m a big fan (and writer) of fractured fairy tales.

What do you hope readers will get from reading that book?

A sense of wonder.

Henry: Wonder at the world you created, or wonder at what goes in inside your head?

What aspect of writing or illustrating do you find most challenging?

It’s all challenging, and really, the challenges are the best part. Except for drawing cars. That’s just terrible no matter how you look at it.

Henry: Conversely, I can only draw cars. Ha! Let’s collaborate on a fantasy picture book: DON’T LET THE DRAGON DRIVE THE BUS.

What is a powerful lesson you’ve learned from being an author/illustrator?

You never know who will be touched by your books, or how. It’s incredibly humbling to see both kids and adults connecting to some crazy story you made up.

Henry: Right! Which is why it is so important to weave a positive theme in one’s story.

What has been a memorable experience that you never would have had if you had not been an author/illustrator?

There have been many. In 2014, I was invited by my French publisher to the big comic festival in Angoulême. It was such an amazing week that I cried at the end.

Henry: Oo la la! Not only do they host the Angoulême International Comics Festival, but “the commune has been awarded four flowers by the National Council of Towns and Villages in Bloom in the Competition of cities and villages in Bloom.”

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What advice would you give to aspiring authors/illustrators?

Make things and share things all the time. Creativity is a habit, and the more you do it the better your work will become.

Henry: For example, Ben posts sketches on Facebook.

Do you have any strange rituals that you observe when you work?

You know, I honestly can’t think of anything…

Henry: Uh huh. Really? A guy who teaches his daughter to shoot flaming arrows has no strange work rituals?

If you could have one superpower, what would it be?

The ability to know with certainty, once a day, when and where something terrible was going to happen. Everything else can be planned for.

Henry: Coupled with the power to NOT BE THERE.

If you could have three authors over for dinner, who would it be?

C.S. Lewis: because I feel like he’s my fairy godfather, my Serious Black.
Neil Gaiman: because very early on I modeled many of my career goals after his career, and boy do I have questions for him.
Jane Austin: because she has hilarious insight into human nature that make me think she’d be lots of fun at dinner, and because my street cred would be through the roof.
Honorable Mention: Patrick Rothfuss, because we got to be friends while arguing in front of a full room at Comic-Con last year.
Extra Honorable Mention: Cory Doctorow, because he’s fun and I think my wife would get a huge kick out of arguing with him.

Henry: By the way, I was in that room at Comic-Con (as was Laini Taylor) when you and Patrick spoke. I watched the bromance bloom in person. You guys were great.

What is your favorite creature that exists only in literature?

That …whew, that can change from day to day. Goblins, though. I think Goblins are my steady. I love those filthy little guys.

Henry: Didn’t see that coming AT ALL from the author/illustrator of NOBODY LIKES A GOBLIN… I loved the wink at Dungeons & Dragons.

What do you like to do when you’re not working?

It’s really hard for me to distinguish my hobbies from my work. Even when I’m hiking, I tend to bring a sketchbook. The closest thing I had to a pure hobby was skipping rocks. I also really have a deep love of archery. Gosh I love arrows.

Henry: Especially exploding arrows! How do you feel about trebuchets?

What would you like it to say on your tombstone?

I guess if I live a life of legend, my tombstone could say “Yes, THAT Ben Hatke.”
Oh! Or how about “Here lies Ben Hatke: shit got real there at the end, didn’t it?”

Henry: Also consider, Ben Hatke: Teller of Tall Tales and Drawer of Dark Domains. You’re welcome.

Where can readers find your work?

At the library! (and online at BenHatke.com, Instagram @heybenhatke, Twitter @benhatke)

Henry: Thanks for spending time with us, Ben!


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Interview with NY Times bestselling picture book author Sherri Duskey Rinker

Sherri Duskey Rinker is a mom who loves to garden, cook and collect old oil paintings. She lives in a crazy house, filled with unmatched socks, kids, total chaos, endless noise and a dog who barks whenever she picks up the phone. She is also a #1 New York Times bestselling children’s picture book author.

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Tell us about your latest book.

On Valentine’s Day, the long-awaited sequel to GOODNIGHT, GOODNIGHT, CONSTRUCTION SITE debuts, titled MIGHTY, MIGHTY, CONSTRUCTION SITE.

Henry: Will there be rhyme? Will there be heavy equipment!?

What do you hope readers will get from reading that book?

First, I hope that fans of GGCS will enjoy and appreciate this second offering; I’m so afraid of letting anyone down! Next, the theme of the book deals with friendship, teamwork and cooperation, and I hope the spirit of that comes through — joyfully.

Henry: Breathe! You’ll be fine. 🙂

What aspect of writing do you find most challenging?

For me, it’s finding the TIME and the QUIET to write in the mix of a busy life — taking care of my kids and our home, promoting books, traveling for school visits, etc. Oh, and editing. I hate editing.

Henry: And yet, revision is key to getting the most story out of 500 or so words. I thought you were going to say creating good rhyme, BTW.

What is a powerful lesson you’ve learned from being a writer?

The stories we put out there can become treasured memories for kids and their families. That’s pretty big. And amazing.

Henry: So true. And those stories can shape lives. I still remember borrowing (over and over again) WHERE THE WILD THINGS ARE from my elementary school library. WTWTA was a gateway drug to LORD OF THE RINGS. And LOTR eventually lead me to become a writer.

What has been a memorable experience that you never would have had if you had not been a writer?

I’ve had the opportunity to “talk shop” with authors and illustrators that I greatly admire. That’s been pretty awesome. And, school visits: I love school visits and talking about books with kids. When I mention a book that I love and a bunch of faces light up… wow: such a connection!

Henry: I love answering young reader questions at school events. You never know what they’ll ask. “What’s your favorite color?” “How old are you?”

What advice would you give to aspiring authors?

Read everything in your genre. Stalk bookstores. Read reviews. Read the trades.

Henry: Read like no one’s watching. But write like everyone is.

Do you have any favorite quotes?

“Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.” — Albert Einstein
(I think this resonates with me because I’ve always felt a little intellectually inadequate — my recollection of history, geography and factoids is limited. I don’t watch much television, so I’m always out-of-the-loop on pop culture conversations. My ability to recall classic literature and romantic poetry is faulty. I fail miserably at Jeopardy. But, perhaps, imagination makes up for that, just a little? Einstein boosts my confidence — a bit, anyway.)

Henry: “This world is but a canvas to our imagination.” – Henry David Thoreau
“You can’t depend on your eyes when your imagination is out of focus.” – Mark Twain

Do you have any strange rituals that you observe when you work?

I prefer to be showered and dressed — I’m not sure that’s strange, but I hear of authors writing in their pajamas, and that just doesn’t feel like “work mode” for me. Also, I like beverages —Sorry, Henry — Nothing too odd; I’m kinda boring.

Henry: There’s nothing strange at all about writing in ballroom attire… *backs slowly away*

If you could have one superpower, what would it be?

Does singing count as a superpower? Ok, then — FLYING. Totally.

Henry: Magical singing that produces an extraordinary result most certainly would be a superpower! See “Treesinger” in THE WHEEL OF TIME or Tolkien’s AINULINDALË, the tale of the song the angels used to create the world.

If you could have three authors over for dinner, who would it be?

JK Rowling, Kate DiCamillo and Beverly Cleary — just to bask in their greatness and hear them discuss their work, processes and inspirations with each other.

Henry: I think everyone knows who JK Rowling is. Wikipedia helpfully adds:
“Katrina “Kate” DiCamillo is an American writer of children’s fiction for all reading levels, usually featuring animals. She is one of six people to win two Newbery Medals, recognizing her novels THE TALE OF DESPEREAUX (2003) and FLORA AND ULYSSES (2013). Her best-known books for young children are Mercy Watson series illustrated by Chris Van Dusen.

Beverly Cleary is an American writer of children’s and young adult fiction. One of America’s most successful living authors, 91 million copies of her books have been sold worldwide since her first book was published in 1950. Some of her best known characters are Henry Huggins and his dog Ribsy, Ramona and Beezus Quimby, and Ralph S. Mouse.

She won the 1981 National Book Award for RAMONA AND HER MOTHER and the 1984 Newbery Medal for DEAR MR. HENSHAW. For her lifetime contributions to American literature, Cleary received the National Medal of Arts, recognition as a Library of Congress Living Legend, and the Laura Ingalls Wilder Medal from the Association for Library Service to Children.”

What is your favorite creature that exists only in literature?

I adore Despereaux! — such a dramatic, emotional, unlikely hero with so much surprising inner strength.

Henry: Don’t get me started on fantasy animal heroes! Here are four heroic mice: Desperaux Tilling (from THE TALE OF DESPEREAUX by Kate DiCamillo), Reepicheep (from PRINCE CASPIAN by C.S. Lewis), Martin the Warrior (from REDWALL by Brian Jaques), and Celanawe (from MOUSE GUARD by David Petersen)

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What do you like to do when you’re not working?

Read a book, work in the garden, bake a nice bread, shop for old oil paintings or antique gesso frames (but, admittedly, I’m running out of wall space). Oh — I’ll confess: I love naps. Especially on Sunday after church, or on dreary days. I. LOVE. NAPS.

Henry: Not enough wall space? “Honey, we need a bigger house!”

What would you like it to say on your tombstone?

Thanks for stopping by! Now… go read to a child: It makes all the difference.

Where can readers find your work?

Wherever books are sold. 🙂

Henry: Thanks for spending time with us, Sherri!


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Interview with NY Times bestselling KidLit author David Elliott

David Elliott is a New York Times bestselling writer of books for young readers. He lives in New Hampshire with his wife of 33 years and a rescued Dandie Dinmont terrier mix.

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For what age audience do you write?

I write for the very young, the middle grades, and with the release of BULL in March, teen readers. I’m currently working on one of each kind of book. I like to have a few things going at once. It’s the ADD.

Henry: Given the slow speed of the publishing industry, working on multiple projects simultaneously isn’t just ADD, it’s a good idea! Speaking of which, I recently wrote a picture book featuring an OCD owl and an ADD hummingbird.

Tell us about your latest book.

BULL (HMH, March 2017) is an expansion of the myth of Theseus and the Minotaur. I know that sounds kind of highfalutin – expansion. But I use it because the book doesn’t at all change the outline of the myth; rather, it fills in areas about which the myth remains silent – the Minotaur’s childhood and adolescence, for example. At least that was my intention. The story is told in the various voices of the main players, each character speaking in a distinct poetic form. It practically killed me, but I loved writing it.

Henry: BULL is terrific. Sort of a YA mashup of Homer and Eminem.

What do you hope readers will get from reading that book?

O dear. I think I’d better leave that to the readers. But it would be terrific if one or two saw that each of us has the potential to become either Asterion — the Minotaur’s’ actual name, by the way, meaning Ruler of the Stars — or the Minotaur. Or maybe even more important, the ability to encourage one or the other in the folks around us. We are now seeing at the national level what happens when the monstrous is excited — the uptick in hate crimes, the increased cruelty in our schools, all of that. Our leaders on both sides of the aisle seem lost in the labyrinth.

Aside from that, I hope readers will enjoy the humor in the book and the language used to tell the story, their language (for speakers of English.) It’s resilience. Its playfulness. It’s beauty.

Henry: We should mail balls of string to Congress so they can navigate the labyrinth!

What aspect of writing do you find most challenging?

Oh, writing comes easily to me. But writing well comes very, very hard.

Henry: That pesky adverb well again! When I first began writing for children, I was surprised at how many revisions are necessary. Not like writing when in school, where the first draft was the final draft!

What is a powerful lesson you’ve learned from being a writer?

I think sometimes people feel that publishing a book changes your life. And I guess it can if you’re someone like J.K. Rowling or Stephen King, at least in terms of material security. (Uh . . .that has not been my experience.) But here’s the thing: Even after that book is on the shelves, you are still who you are. There’s no escaping that.

For me, and especially since every book is different, being a writer is a process, not a result. I now try to think of myself as a scribe rather than the more elevated “writer”.

Henry: I’ve been pleasantly surprised at how collegial the KidLit author/illustrator community is. Not at all like the hyper-competitive Hollywood scene.

What has been a memorable experience that you never would have had if you had not been a writer?

Well, the most memorable is very difficult to describe, and if I did, people would think I was crazy, so let me just say that a few years ago, I was invited to Germany to visit schools there. My wife and I became very good friends with the person assigned to interpret for me. She is still an important of our lives. How lucky is that?

Henry: So, you think describing a memorable experience will push people over the edge on assessing the sanity of a man who fractured a Minotaur myth with rap?

What advice would you give to aspiring authors?

Accept all criticism as one hundred percent accurate.
For twenty-four hours.

Henry: Interesting approach. Another good piece of advice I’ve read, is never read reviews of your own work. The positive reviews don’t tell you anything you don’t already know, and the negative ones are so rarely constructive, that you’ll just end up depressed.

Do you have any favorite quotes?

Here are three:
“If you haven’t surprised yourself, you haven’t written.” Eudora Welty.
“Habit is more important than inspiration.” Octavia Butler.
“Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” E.L. Doctorow

Henry: So, Doctorow was a pantser, not a plotter? Isaac Asimov said “Writing, to me, is simply thinking through my fingers.” Then there’s Ray Bradbury: “You must stay drunk on writing so reality cannot destroy you.”

Do you have any strange rituals that you observe when you work?

My entire life has been, and continues to be, One Strange Ritual. I think everybody’s is.

Henry: Capitalizing the phrase makes it sound like a great book title. Well played, sir.

If you could have one superpower, what would it be?

I know from the one I already possess – the ability to eat non-stop –that superpowers are very difficult to control. I think it might be wiser to bestow them on those better equipped to manage them.

Henry: Isn’t it only a superpower if you can eat all you want and NOT gain weight?

If you could have three authors over for dinner, who would it be?

Not many people know this, but Charles Dickens and the Polish poet Wyslawa Symborska are conjoined twins, so if invite Charlie, he’ll have to drag Wyslawa along. (The original meaning of Plus 1, by the way.) That’s also true of Teju Cole and Richard Wilbur. Then there are those famous triplets, George Eliot, Shakespeare and Moliere. Journalist Masha Gessen and the Australian novelist David Malouf are my alternates.

Henry: Boy, give you and inch, and you take a mile! Wikipedia helpfully offers:
Maria Wisława Anna Szymborska was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature “for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality”.

Teju Cole is a Nigerian-American writer, photographer, and art historian. Cole is the author of three books: a novella, Every Day is for the Thief (Nigeria: Cassava Republic, 2007; New York: Random House, 2014; London: Faber, 2014), a novel, Open City (New York: Random House, 2012; London: Faber, 2012), and a collection of more than 40 essays, Known and Strange Things, published in 2016. He is currently working on Radio Lagos, a non-fictional narrative of contemporary Lagos. Salman Rushdie has described Cole as “among the most gifted writers of his generation”.

Richard Purdy Wilbur is an American poet and literary translator. He was appointed the second Poet Laureate Consultant in Poetry to the Library of Congress in 1987, and twice received the Pulitzer Prize for Poetry, in 1957 and again in 1989.

What is your favorite creature that exists only in literature?

As you know, I’ve spent quite a lot of time with The Minotaur recently. I think I might choose someone a little cheerier next time around, The Mad Hatter, maybe. Or someone really solid like the armored bear, Iorek Byrnison, in Philip Pullman’s wonderful book, The Golden Compass. I do wish the Oracle of Delphi had a better sense of humor.

Henry: Please note the minotaur on the cover of MONSTER GOOSE NURSERY RHYMES in the header image above. But, I’m with you on the panserbjørne!
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What do you like to do when you’re not working?

These days, I feel like I’m always working. I’ve got three separate and very different (from each other) projects going right now, and the administrative part of the writing life – interviews like this one, for example, are taking more of my time. (Don’t get me wrong. I’m not complaining. Who doesn’t relish the opportunity to talk about himself?) To complicate matters, for the first time ever I’ve become actively political. Nobody is more surprised about that than I am.

Staring out the living room window into the fields behind our old house is a wonderful thing.

Henry: Can we say your passion for democracy has trumped your desire to focus on writing?

What would you like it to (accurately) say on your tombstone?

He wasn’t afraid.

Henry: You gave me a Monty Python opening, and I’m taking it.

Bravely bold Sir Robin
Rode forth from Camelot
He was not afraid to die
Oh, brave Sir Robin
He was not at all afraid
To be killed in nasty ways
Brave, brave, brave, brave Sir Robin

He was not in the least bit scared
To be mashed into a pulp
Or to have his eyes gouged out
And his elbows broken
To have his kneecaps split
And his body burned away
And his limbs all hacked and mangled
Brave Sir Robin

His head smashed in
And his heart cut out
And his liver removed
And his bowels unplugged
And his nostrils raped
And his bottom burnt off
And his penis split and his…

“That’s… that’s enough music for now, lads.”

Where can readers find your work?

Wherever weird books are sold, but especially at your local independent bookstore.

Henry: Thanks for spending time with us, David. For something completely, different, check out David’s THIS ORQ (HE CAVE BOY)
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Interview with picture book author/illustrator Lisa Brown

Lisa Brown is a New York Times bestselling illustrator, author, and cartoonist. Her books for young’uns include HOW TO BE, BABY MIX ME A DRINK, THE LATKE WHO COULDN’T STOP SCREAMING by Lemony Snicket, EMILY’S BLUE PERIOD by Cathleen Daly, and MUMMY CAT by Marcus Ewert. She teaches picture book writing and illustration at the California College of the Arts. Her most recent book, THE AIRPORT BOOK, is about the airport. She lives in San Francisco.

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For what age audience do you write?

A better question might be “for what age audience DON’T you write?” I’ve created humor books and comics for adults, picture books for kiddos, one co-authored illustrated novel for teens (PICTURE THE DEAD, with Adele Griffin), and I am blissfully at work on a YA graphic novel.

Henry: FYI, the YA graphic novel is entitled THE LIVING DOLL, and tells the story of conjoined twins who remain connected even after one of them dies during the operation to separate them.

Tell us about your latest book.

It’s a picture book about the airport. Called, creatively, The Airport Book.

Henry: Hey, spoiler alert!

What do you hope readers will get from reading that book?

I hope to demystify and mystify an airline journey.

Henry: Always burning the candle at both ends, eh?

What aspect of writing do you find most challenging?

Perhaps the most challenging thing is letting it out of my hands. I always think that there is more to be done.

Henry: I agree. I suspect sculptors feel the same way, although it’s worse for them. If they remove something, it’s much harder to put it back.

What is a powerful lesson you’ve learned from being a writer?

Don’t read Amazon reviews.

Henry: So true! Note: this is not a criticism of Amazon. Rather, it is advice about reviews in general. The good ones tell you what you already know, and the bad ones make you sad or frustrated. My writer friend Deborah Underwood got a bad review because the book arrived damaged! My bedtime picture book MABEL AND THE QUEEN OF DREAMS was dinged for not having enough action!

What advice would you give to aspiring authors?

You can’t write well if you don’t read well. Read. Read everything. Read like a writer, with one eye always on craft.

Henry: A lion is the product of all the zebras it’s eaten. I read critically now, although I find it can take some of the joy out of reading others’ picture books.

Do you have any favorite quotes?

“Oh, life is a glorious cycle of song,
a medley of extemporanea,
And love is a thing that can never go wrong,
and I am Marie of Romania.” —Dorothy Parker

Henry: “Wanna be the ruler of the galaxy?
Wanna be the king of the universe?
Let’s meet and have a baby now!
Wanna be the empress of fashion?
Wanna be the president of Moscow?
Let’s meet and have a baby now!” – B-52’s

Do you have any strange rituals that you observe when you write?

Define strange.

Henry: That is my life’s work, and we don’t have room here…

If you could have one superpower, what would it be?

Invisibility. It would be useful while eavesdropping, an activity important to any writer. And relaxing for introverts like me.

Henry: Invisibility is a good choice. Like mind reading, though, it could lead to learning things you really don’t want to know…

If you could have three authors over for dinner, who would it be?

I already have an author over for dinner almost every night, my husband, Daniel Handler (http://www.danielhandler.com). So maybe I’d choose some other kind of artist. I’d have loved to have dined with David Bowie, of blessed memory, Dorothy Parker, and Edward Gorey.

Henry: Hey, that’s cheating! For the few that don’t know, Daniel Handler is also known as Lemony Snicket. Wikipedia helpfully adds: “Dorothy Parker was an American poet, short story writer, critic, and satirist, best known for her wit, wisecracks and eye for 20th-century urban foibles.”

“From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in publications such as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics led to a place on the Hollywood blacklist.”

“Edward Gorey was an American writer and artist noted for his illustrated books. His characteristic pen-and-ink drawings often depict vaguely unsettling narrative scenes in Victorian and Edwardian settings. He illustrated works as diverse as DRACULA by Bram Stoker, THE WAR OF THE WORLDS by H. G. Wells, and OLD POSSUM’S BOOK OF PRACTICAL CATS by T. S. Eliot.”

What is your favorite creature that exists only in literature?

I always really, really wanted the Borrowers to exist.

Henry: A fine choice. Note: THE BORROWERS is a children’s fantasy novel by Mary Norton, featuring four-inch tall people who borrow things from their human hosts.

What do you like to do when you’re not writing?

Read. Draw. Drink coffee.

Henry: Write. Read. Draw. Drink coffee. Repeat.

What would you like it to say on your tombstone?

Please stay off the grass.

Where can readers find your work?

In bookstores and libraries, naturally. And online… I post my daily sketches on my Tumblr, here: http://americanchickens.tumblr.com. They can also take a peek at my Three Panel Book Reviews, which will be collected and expanded into a book by Algonquin Books, here: http://threepanelbookreview.tumblr.com

Henry: Thanks for spending time with us, Lisa.