henryherz.com

Fantasy & Sci-Fi Books for Kids


Leave a comment

Pre-World War II Giant Robot Landscape Paintings

I never thought I’d ever say “Pre-World War II Giant Robot Landscape Paintings”. Hats off to the skill and imagination of artist Jakub Rozalski in mashing up these two on Design You Trust.

01

“The Polish artist Jakub Rozalski, who goes by the sobriquet “Mr. Werewolf,” has produced an amusing series of steampunk-ish canvases in which serene and idyllic rustic landscapes of what seem to be Eastern Europe (Rozalski’s very back yard, you might say) in the early decades of the 20th century feature the prominent and inexplicable existence of completely fictitious giant mecha robots.”

02

Various iconographies are jammed together, the imagery of peasant life in the early years of collectivization, the imagery of science fiction, the imagery of modern warfare…. add it all up and you might find yourself calling to mind, ohhh, the first few scenes of The Empire Strikes Back, set on the icy terrain of Hoth, perhaps?

03

Rozalski’s intent is “to commemorate this sad and tragic period in history, in my own way, to light on this parts of history that usually remain in the shadows of other events… remember and honor the history, but live in the present.” He adds, “I like to mix historical facts and situations with my own motives, ideas and visions. … I attach great importance to the details, the equipment, the costumes, because it allows you to embed painting within a specified period of time.”

04

The World of Scythe is a beautiful 105-page art book showcasing the work of Jakub Rozalski for the board game Scythe, one of the most successful games ever funded on Kickstarter. The book was only made available to backers during the Kickstarter campaign, and is now only available on ArtStation Shop.

05 06 07 08 09 10 11 12 13 14 15 16


Leave a comment

What if they labelled movie posters more accurately?

I’m a firm believer in truth-in-advertising. So, I really enjoyed this imaginative romp from Iveta Pete and the mad geniuses at Bored Panda.

“Movie posters don’t always tell it like it is. And that’s probably a good thing, at least for the people who make them. After all, would you pay to watch a film called ‘Young Woman Needlessly Degrades Herself To Be With Complete Arsehole’? How about ‘Liam Neeson Punches People’, or ‘Channing Tatum Takes His Shirt Off Again Or Something’? Ok, so maybe some of you would still pay to watch that last one.”

#1 Mad Max: Fury Road

Mad Max: Fury Road

#2 101 Dalmatians

101 Dalmatians

#3 The Lion King

The Lion King

#4 Lord Of The Rings

Lord Of The Rings

#5 Beauty And The Beast

Beauty And The Beast

 #6 Pretty Woman

Pretty Woman

#7 Les Miserables

Les Miserables 

#8 Breaking Dawn Part Two

Breaking Dawn Part Two

#9 The Revenant

The Revenant

#10 Harry Potter And The Deathly Hallows

Harry Potter And The Deathly Hallows


Leave a comment

Interview with middle grade novelist Henry Neff

Henry H. Neff is the author and illustrator of the five-book fantasy epic THE TAPESTRY, along with his newest creation, IMPYRIUM, which Entertainment Weekly named the #1 Middle Grade Book of 2016. Henry lives with his wife and two sons in Montclair, NJ.

neffhenry

For what age audience do you write?

My books are usually classified as middle grade fantasy, but I don’t really write for a specific audience or age group. I simply try to tell a story I find entertaining and figure the audience will sort itself out. While that certainly includes 8-12 years olds, I’d say almost half my readers are teenagers and adults. My stories are categorized as fantasy because they contain magic but you’ll also find lots of history, mythology, and even science fiction. They’re a genre stew.

Henry H.: Speculative fiction goulash. A potpourri of preposterous plot particles.

Tell us about your latest book.

My most recent work is IMPYRIUM (HarperCollins, October 2016). It’s the first in a trilogy that takes place in a distant future when our world is dominated by magical humans, most notably the godlike Faeregines, whose family has ruled the empire over 3,000 years. Unfortunately for the Faeregines, the family’s magic has been fading, and their many enemies have noticed. The story has two main characters: Hazel Faeregine, who is an outcast within the royal family, and Hob Smythe, a non-magical commoner and undercover revolutionary that serves (and spies) within the palace. Some have joked that it’s Game of Thrones—for kids! In addition to writing the story, I create all the interior art and maps. It’s been a lot of fun.

Henry H.: I enjoyed reading IMPYRIUM. My brain unconsciously kept translating Faeregines as Fae peregrines. Elvish falcons!

What do you hope readers will get from reading that book?

First and foremost, I want them to be entertained. But I also want readers to be challenged, and to make deep and lasting connections with the characters. I rarely work in black and white, and strive to give my heroes flaws and the villains motivation beyond simply being bad guys. There are some tricky topics broached in IMPYRIUM having to do with class, opportunity, the use of power, and institutional decay. As in real life, there are no easy answers to complex questions. Everything involves a tradeoff and there is usually another side to the story.

Henry H.: If we could peek inside villains’ heads, I suspect most of them wouldn’t consider themselves villainous. I agree with you that complex villains are so much more interesting. Gollum is much more intriguing than the uniformly evil Nazgul.

What aspect of writing do you find most challenging?

My rough drafts are painfully slow, as I suffer from a tendency to over-plan and edit while writing them. Having a roadmap is helpful, but excessive planning can smother creative spontaneity. Revising while writing kills momentum and can lead to losing sight of the forest, and instead obsessing over individual trees. If I could wave a magic wand, I’d write rougher drafts and take far less time doing so. If anyone is in possession of such a wand, please get in touch.

Henry H.: Unplug your computer mouse. You can only type. You cannot go back and edit (until the first draft is done). You’re welcome.

What is a powerful lesson you’ve learned from being a writer?

When in doubt, trust your gut — even if it’s telling you to do something that seems weird or risky. There’s no guarantee of success, but I believe this leads to better stories, a more interesting life, and fewer regrets. No one spends their final moments wishing they’d been more conventional.

Henry H.: However, one should take care not to extend this advice too far. Just because your gut says that a 300-page dystopian picture book sounds like a fun project, you should probably skip it.

What has been a memorable experience that you never would have had if you had not been a writer?

Does having a family qualify? I reconnected with a former classmate (we attended the same elementary school) after my first book, The Hound of Rowan, was published. Danielle read it, sent a nice note, and we caught up the next time I was in New York (I was living in San Francisco at the time). A decade later we’re living happily in Montclair, NJ with our two beautiful boys. If I hadn’t left the corporate world to teach and write, I’d probably be alone with a bigger bank account and a lot less happiness.

Henry H.: Best. Answer. Ever.

What advice would you give to aspiring authors?

Get your drafts down quickly, grow a thick skin, and truly embrace revision. Also, don’t over-romanticize the profession. This last one is important. Having talked with many aspiring authors, I’ve noticed that some believe publication is the ticket to fame and riches. I can tell you firsthand that it is not, and there are very few children’s authors that can live solely on their writing income, much less amass anything resembling wealth. If being rich and famous is your goal, there are more reliable paths than making children’s books. Write because you have stories to tell and enjoy telling them. If your book becomes a bestseller, GREAT! But don’t allow that to be your goal, much less your reason for writing.

Henry H.: All excellent advice. If I may elaborate, Henry’s thick skin comment refers to both dealing with agent/editor rejections, and unfavorable book reviews. Take solace that ALL authors get rejected. And don’t read reviews of your books. The positive ones don’t tell you anything you didn’t already know, and the negative ones are depressing.

Do you have any favorite quotes?

“Just because you’re paranoid doesn’t mean they aren’t after you” from Catch-22, and “Just keep swimming” by the ever-buoyant Dory. The former appeals to the wry cynic in me; the latter to my chipper optimist. It’s the Frosted Mini-Wheats of quotation pairings.

Henry H.: “There is no such thing as paranoia. Your worst fears can come true at any moment.” – Hunter S. Thompson
“Fish are friends, not food.” – Bruce the Great White Shark

Do you have any strange rituals that you observe when you work?

When I settle in to write, it’s usually with a pot of coffee, noise-cancelling headphones, and Tchaikovsky’s “Arabian Dance” on repeat. There’s something about that piece I find conducive to writing. It has a soothing, almost hypnotic quality that helps put my brain in work mode. According to iTunes it’s been played over 23,000 times, so I’d say that qualifies as a ritual. I also pay tribute to Cthulhu.

Henry H.: “Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.”
“In his house at R’lyeh, dead Cthulhu waits dreaming.”
Yeah, that’s soothing…

If you could have one superpower, what would it be?

Forget flying. My super power would be the ability to write a rough draft in four months or less. I would weep with joy. So would my editor.

Henry H.: A modest, but practical superpower. Well played.

If you could have three authors over for dinner, who would it be?

J.R.R. Tolkien, Ursula LeGuin, and Philip Pullman. Tolkien because he’s the granddaddy of modern fantasy, LeGuin because she’s a marvelous writer whose penned iconic works in both fantasy and science fiction, and Pullman because I think “His Dark Materials” is not only brilliant but fearless. The dynamic would be an interesting one. I’d love to hear Tolkien spar with Pullman about whether The Lord of the Rings has merit beyond a basic children’s story (Pullman’s been highly dismissive of Tolkien’s work as anything resembling literature or even a children’s story of moderate depth). It would be fun to witness two opinionated, scholarly writers have at it. Meanwhile, I could ask Ursula how she manages to craft stories that portray both magic and daily life with such lyrical beauty and realism. I was tempted to resurrect Patrick O’Brien whose Aubrey-Maturin are my favorite books, but I’ve heard he was a superior, standoffish fellow. Sorry Patrick, you can’t come. If I could add a fourth, it would probably be Neil Gaiman. I admire his work and he seems the type to bring a good bottle or two.

Henry H.: That is one high-powered dinner soiree. But the pressure! You know they’re silently correcting your grammar.

What is your favorite creature that exists only in literature?

There’s a quotation in Impyrium attributed to a long-dead playwright that reads Keep your basilisks and harpies, your trolls and goblins. There is only one true monster and its name is Dragon. I should note, however, that the dragons I’m talking about aren’t overgrown lizards that are fodder for enterprising heroes. The dragons I’m talking about are mythological entities whose being is tied to some aspect of Nature or the cosmos. In my books, there are only a handful of dragons and they are ancient, godlike creatures whose mere presence is utterly overwhelming to mortals.

Henry H.: Dragon Is correct. Would you like to try Mythological Creatures for $400?

What do you like to do when you’re not working?

Mostly, I chase my kids around. We have two young boys, ages five and three. They keep me pretty busy. Fortunately, I enjoy Legos, frozen waffles, and toilet humor.

Henry H.: The only thing scarier than a dragon is stepping barefoot on a Lego.

What would you like it to say on your tombstone?

“No vacancy.”

Henry H.: Wouldn’t it be preferable if your tomb remained vacant? Just sayin’.

Where can readers find your work?

You can probably find IMPYRIUM in your local bookstore or library, along with any of the major chains or online retailers. My first series, The Tapestry, can be purchased online and found in the odd bookstore with exceptional taste. My books also have digital and audio versions and some have been translated into a variety of foreign languages. For more information, you can visit my website at http://www.henryhneff.com

Thanks for spending time with us, Henry.


2 Comments

Artists Recreate Kid Monster Drawings

Kids have amazing creativity, which is further fleshed out by professional artists as part of The Monster Project. From Greta J. and the mad geniuses at Bored Panda.

“Last year we introduced you to The Monster Project, an awesome initiative that sees professional artists adding their own unique touches to monster doodles created by kids in elementary. Well now we’re bringing you more of their amazing collaborations, and as you can see below, the results are quite spectacular.

Based out of Texas, the purpose of the project is to encourage creativity and provide inspiration for artistic children everywhere. “With a decreasing emphasis on arts in schools, many children don’t have the opportunity for creative exploration they deserve,” reads their website. “That’s a monstrous trend we would like to destroy. As artists ourselves, we understand how important that initial creative exposure is and how it can truly alter the shape of a child’s future. Creativity comes in many forms, and we hope to encourage their exploration of their own unique perceptions of the world we share.”

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project

The Monster Project


2 Comments

Interview with NY Times bestselling children’s book illustrator Tim Bowers

Tim Bowers is a children’s book illustrator. His first picture book was published in 1986. Since then, he has illustrated over 45 other titles. A couple of the titles have landed on the New York Times best seller list. His art is usually filled with animals and humor…and people, when needed. Tim currently lives in Granville, Ohio with his beautiful wife. They have four talented grown children and are proud grandparents.

bowerstim

For what age audience do you illustrate?

I illustrate for all ages, but mostly for children. I hear from many parents who have enjoyed my books as much as their kids. That’s especially true for my title, MEMOIRS OF A GOLDFISH by Devin Scillian. A very funny story.

Henry: Sounds like quite a fish tale…

Tell us about your latest book.

My latest book is FOOTLOOSE by Kenny Loggins. Kenny re-wrote his 80’s hit song, Footloose, into a kid’s version, which includes a zoo keeper (who, I’m told, looks a lot like Captain Kangaroo), dancing animals and a couple of curious kids.

What do you hope readers will get from that book?

When your life is a total zoo…DANCE!

Seriously, it’s a fun story about two kids who sneak into the zoo just before closing. The zoo keeper and animals have a great dance party under a full moon. The party continues until sunrise.  Kids can read the story, follow the illustrations and listen to the song (a CD is included in the book). So, I hope kids will put on their dancin’ shoes and have fun!

Henry: Fun! And now you’re only one degree away from Kevin Bacon.

“Now I gotta cut loose
Footloose, kick off the Sunday shoes
Please, Louise, pull me off of my knees
Jack, get back, come on before we crack
Lose your blues, everybody cut footloose”

What aspect of illustrating do you find most challenging?

A children’s book is a long project: from character development, sketches and book dummy to the final art. It takes focus and endurance to keep the process moving forward. There are times during the painting of the final art that seem to move at a snail’s pace. My mind seems to wander during those times. I’ll think of new book projects, other art techniques to explore, people I’d like to meet, a good name for a pet elephant, how would I even get a pet elephant?, would I rather have an elephant or a monkey?… and guitars, wish I could practice more, wish I could buy another guitar.

Then, I snap out of it and get back to the final artwork. Come to think of it, I’ve had this problem since childhood. Focus, focus, focus.

Henry: Would You Rather Have a Monkey or an Elephant sounds like a great picture book idea. Thanks!

What is a powerful lesson you’ve learned from being an illustrator?

Art is a powerful tool used to tell a story, deliver a message or share an idea. I want to use my talent to help deliver positive messages and good ideas and stories to viewers and readers. That’s why I like to illustrate children’s books.

What has been a memorable experience that you never would have had if you had not been an illustrator?

There are a lot of them. I’ve been to hundreds of elementary schools to share my experiences and talk to students about making art for picture books. I love talking to kids and sharing my art with them. I wouldn’t have had that type of a connection without being an illustrator.

I’ve also worked with some celebrities because of my illustrations. I illustrated DREAM BIG, LITTLE PIG! by Kristi Yamaguchi. Without the illustration connection, I probably would not have worked with Kristi because I’m a lousy skater. I’ve also illustrated books by Neil Sedaka (DINOSAUR PET) and Kenny Loggins (FOOTLOOSE). I’m not in their social circles, and I need a lot more practice on my guitar so being an illustrator got me those “gigs”.

I guess the “powerful lesson” would be that being an illustrator has allowed me to connect with people through stories, from children learning to read to well-known people with stories to share.

Henry: I’d pay good money to watch you play guitar while ice skating. Triple axle!

What advice would you give to aspiring children’s book illustrators?

Surround yourself with books. Study the great picture book art of the past, explore current art trends, and use the best of both to create your own personal voice.

Work on your craft. Draw. Learn the elements of visual story telling/sequential art. Draw more. Strive to create art that connects emotionally to the reader. In most books, the words and art must unify to tell a clear story. Practice working with text, using your art to compliment the written word. Then, draw some more.

Much can be learned by connecting with groups like The Society of Children’s Book Writers and Illustrators (SCBWI.org).

So, three things that I would suggest: One- work to improve your art skills, Two- learn about the business/process of creating children’s books, and Three- make connections (network) with people in the biz: editors, authors, designers and others who are pursuing your same goals.

Henry: Four – get an elephant. Or a monkey.

Do you have any favorite quotes?

I have a huge file of quotes. Here are a few of my favorites for today:

“Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.”
– Groucho Marx

“Don’t play what’s there, play what’s not there.”
– Miles Davis

“I get up every morning determined both to change the world and to have one hell of a good time. This makes planning the day difficult.”
– E.B. White

“Don’t worry about the world coming to an end today. It is already tomorrow in Australia.”
– Charles M. Schulz

Henry:

“Every dog has his day, unless he loses his tail, then he has a weak-end.”
– June Carter Cash

“What counts is not necessarily the size of the dog in the fight; it’s the size of the fight in the dog.”
– Dwight D. Eisenhower

Do you have any strange rituals that you observe when you work?

Hmmm, let’s see. I usually listen to music, have a cup of coffee by my side and try to keep focused on the task at hand (see earlier answer about staying focused). I find it extremely hard to work if my paintbrush isn’t just right for the job…if it’s lost the sharp point, too big, too stiff. The wrong brush can drive me crazy. Brushes wear out after a while, so I have a container filled with hundreds of those retired brushes. I often work better at night. Between 11pm and 3am seems to be an easier time to focus. I can’t think of anything else that might apply…Hey, did I tell you that my Grandpa had a monkey?  Would you rather have a monkey or an elephant?  Oh, sorry… where were we?

Henry: Life’s too short to use the wrong brush.

If you could have one superpower, what would it be?

The power to heal at will. I could eliminate the pain of people suffering from abuse, burns, cancer and accidents… as a starter. It breaks my heart to see kids who suffer in life. Having wings would also be cool but then what? You fly around. That would be nice but I think that healing would be my superpower. But, having two powers, flying around AND healing, would be even better. I’d like to negotiate for two superpowers, if that’s ok.

Henry: Ah, the old “wish for more wishes” ploy. Healing is a lovely wish.

If you could have three authors over for dinner, who would it be?

The Apostle Paul…because he was there.
Kate DiCamillo…because her work is full of heart and humor. One of my very favorite story tellers.
Cynthia Rylant… because her work is full of heart and humor. Another one of my very favorite story tellers.
There are so many amazingly talented authors (I’ve worked with a lot of them), so I’d have to have a few more dinners.

Henry: Trying to break the rules again? I sense a trend. 🙂

What is your favorite creature that exists only in literature?

I’d have to go with dragons. I’ve illustrated a great dragon book, NOT YOUR TYPICAL DRAGON by Dan Bar-El. Mermaids would come in a close second place…who doesn’t like mermaids? I’ve illustrated one book with a mermaid, Sometimes I wonder if POODLES LIKE NOODLES by Laura Numeroff.  I created some “Mer-mutts” (dog mermaids) in THE ADVENTURES OF UNDERWATER DOG by Jan Wahl, but that probably doesn’t count.

Henry: The blog judges rule that Mer-mutts is an acceptable response.

What do you like to do when you’re not working?

I play the guitar. I do more listening to great players than playing but I’m always thinking about guitars. I also have a beautiful ukulele and mandolin (my grandpa, who had a monkey, was also a mandolin player). They get less playing time than my guitars. I also like to fish. I only had time to fish a couple of times, this summer. That’s why I didn’t have you over for a big fish fry, Henry. I really like to golf, but I’ve only done that several times. My kids bought me a new set of clubs for father’s day, so I need to golf more often.

This question is leading me to believe that maybe I work too much. I have a lot of interests but don’t seem to have much time outside of my work schedule. I think I need more balance in that area. Thanks for bringing it up, Henry.

Henry: You’re welcome, Tim. You should definitely have more fish fries. I’ll even bring the fish!

What would you like it to say on your tombstone?

I’m not sure but here’s another quote that might apply:

“The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.”
-Ralph Waldo Emerson

Henry:

“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms…”
– Henry David Thoreau

Where can readers find your work?

In children’s books at your local library or bookstore. On line, you can visit my website: http://www.timbowers.com/ and my blog: timbowersart.blogspot.com.

Henry: Thanks for joining us, Tim!


2 Comments

Paintings Inspired by Studio Ghibli

When fan art can stand on its own merits. From Šarūnė Mac and the mad geniuses at Bored Panda.

“Brilliant Studio Ghibli animation has inspired many people in a lot of different ways. Their touching stories and incredibly detailed animation style have touched us all. Bored Panda has collected some of the best Miyazaki fans’ paintings to show what creative admirers are capable of.

From vibrant watercolors to a ‘Starry Night’ version of Totoro, these paintings will hopefully fill the void ’till Hayao Miyazaki finishes his newest animation. And if you are an artist yourself, we hope that these pieces will inspire you to create something awesome and add it to this list!”

#1 Totoro Starry Night Oil Painting By Sagittariusgallery

Totoro Starry Night Oil Painting By Sagittariusgallery

#2 Totoro By Vincent Belbari

Totoro By Vincent Belbari

#3 Princess Mononoke By Muju

Princess Mononoke By Muju

#4 Spirited Away By Yuumei

Spirited Away By Yuumei

#5 Hayao Miyazaki And Totoro By Ono Mono

Hayao Miyazaki And Totoro By Ono Mono

#6 Totoro And Winter Oil Painting By Villasukka

Totoro And Winter Oil Painting By Villasukka

#7 In The Air Indian Ink Painting By Louise Terrier

In The Air Indian Ink Painting By Louise Terrier

#8 Totoro And Hannah Indian Ink Painting By Louise Terrier

Totoro And Hannah Indian Ink Painting By Louise Terrier

#9 Ghibli Sleepover By Keh Choon Wee

Ghibli Sleepover By Keh Choon Wee 


1 Comment

Interview with graphic novel/picture book author/illustrator Ben Hatke

Ben Hatke is an author and artist of graphic novels and picture books. His notable works include the ZITA THE SPACEGIRL TRILOGY, the Eisner award-winning LITTLE ROBOT, and the picture book JULIA’S HOUSE FOR LOST CREATURES.

hatkeben

For what age audience do you write, and in what genre?

My comics are mostly classed as “middle grade” but I really try to write for everybody. I also make picture books which are even more for everybody. As to genre, I tend toward fantasy and science fiction. I tend to add swords and robots and goblins to just about everything I touch.

Henry: You complete me. Fantasy makes everything better. And cowbells.

Tell us about your latest book.

MIGHTY JACK is a two-book, modern-day, graphic novel retelling of the Jack and the Beanstalk story.

Henry: Fun! I’m a big fan (and writer) of fractured fairy tales.

What do you hope readers will get from reading that book?

A sense of wonder.

Henry: Wonder at the world you created, or wonder at what goes in inside your head?

What aspect of writing or illustrating do you find most challenging?

It’s all challenging, and really, the challenges are the best part. Except for drawing cars. That’s just terrible no matter how you look at it.

Henry: Conversely, I can only draw cars. Ha! Let’s collaborate on a fantasy picture book: DON’T LET THE DRAGON DRIVE THE BUS.

What is a powerful lesson you’ve learned from being an author/illustrator?

You never know who will be touched by your books, or how. It’s incredibly humbling to see both kids and adults connecting to some crazy story you made up.

Henry: Right! Which is why it is so important to weave a positive theme in one’s story.

What has been a memorable experience that you never would have had if you had not been an author/illustrator?

There have been many. In 2014, I was invited by my French publisher to the big comic festival in Angoulême. It was such an amazing week that I cried at the end.

Henry: Oo la la! Not only do they host the Angoulême International Comics Festival, but “the commune has been awarded four flowers by the National Council of Towns and Villages in Bloom in the Competition of cities and villages in Bloom.”

hatke-angouleme

What advice would you give to aspiring authors/illustrators?

Make things and share things all the time. Creativity is a habit, and the more you do it the better your work will become.

Henry: For example, Ben posts sketches on Facebook.

Do you have any strange rituals that you observe when you work?

You know, I honestly can’t think of anything…

Henry: Uh huh. Really? A guy who teaches his daughter to shoot flaming arrows has no strange work rituals?

If you could have one superpower, what would it be?

The ability to know with certainty, once a day, when and where something terrible was going to happen. Everything else can be planned for.

Henry: Coupled with the power to NOT BE THERE.

If you could have three authors over for dinner, who would it be?

C.S. Lewis: because I feel like he’s my fairy godfather, my Serious Black.
Neil Gaiman: because very early on I modeled many of my career goals after his career, and boy do I have questions for him.
Jane Austin: because she has hilarious insight into human nature that make me think she’d be lots of fun at dinner, and because my street cred would be through the roof.
Honorable Mention: Patrick Rothfuss, because we got to be friends while arguing in front of a full room at Comic-Con last year.
Extra Honorable Mention: Cory Doctorow, because he’s fun and I think my wife would get a huge kick out of arguing with him.

Henry: By the way, I was in that room at Comic-Con (as was Laini Taylor) when you and Patrick spoke. I watched the bromance bloom in person. You guys were great.

What is your favorite creature that exists only in literature?

That …whew, that can change from day to day. Goblins, though. I think Goblins are my steady. I love those filthy little guys.

Henry: Didn’t see that coming AT ALL from the author/illustrator of NOBODY LIKES A GOBLIN… I loved the wink at Dungeons & Dragons.

What do you like to do when you’re not working?

It’s really hard for me to distinguish my hobbies from my work. Even when I’m hiking, I tend to bring a sketchbook. The closest thing I had to a pure hobby was skipping rocks. I also really have a deep love of archery. Gosh I love arrows.

Henry: Especially exploding arrows! How do you feel about trebuchets?

What would you like it to say on your tombstone?

I guess if I live a life of legend, my tombstone could say “Yes, THAT Ben Hatke.”
Oh! Or how about “Here lies Ben Hatke: shit got real there at the end, didn’t it?”

Henry: Also consider, Ben Hatke: Teller of Tall Tales and Drawer of Dark Domains. You’re welcome.

Where can readers find your work?

At the library! (and online at BenHatke.com, Instagram @heybenhatke, Twitter @benhatke)

Henry: Thanks for spending time with us, Ben!